An animated short built as a visual interpretation of Bagir-Ba's track. The project stages a slow collision between architecture and coral growth, using time, ruin, and regeneration to reflect on the unstable boundary between civilization and nature.

This project relates to a neurological condition known as Alice in Wonderland syndrome, or dysmetropia, which is common in children. It aims to explore liminal spaces, as they allow us to rethink how we perceive our surroundings and ourselves within them. By transforming a corridor into a stage with actors, every viewer can become a participant and reflect on the relativity of life experience.

A teaser for an adventure game set in 2050, where ecological collapse and flooding have turned clean water into a scarce resource. The work imagines survival as an ethical and atmospheric problem, combining bleak landscapes with speculative technological systems.

A compact speaking robot assistant developed for the performance group bladebabes. The project adapts the historical ELIZA chatbot into a live, mobile character, while the artist designed a modular plexiglass body, display face, and stage-ready housing for performance use.

Motion graphics created for the AI Forum Correlations at HfG Offenbach. Typography, geometry, and a restrained palette were translated into animated schedules, livestream intros, and social media reels, extending the forum's visual identity into moving image.

An installation with accompanying documentation that combines ComfyUI, Python, YOLO custom object detection, DeepFace, MediaPipe, and CLIP to analyze an AI-generated sculpture. The project was presented as a part of the TRANSFORM Conference on AI, Art, Design and Society at the Campus of Art and Design in Trier, Germany.

A generative installation developed for AI-Worlding at the Museum Angewandte Kunst (MAK) in Frankfurt am Main. Spoken voices are captured, analyzed in real time, emotionally interpreted, and transformed into looping phantom words within a quadraphonic field, while hardware noise becomes an audible part of the composition. The audio and analysis data are not stored permanently and are used exclusively for the duration of the interaction within the installation. Between Noise and Voice makes visible, and audible, that machine recognition of words and emotions is always accompanied by errors, breaks, and translations. At the limits of the audible, where language loses its semantic anchoring, an acoustic field opens up in which voice, affect, and calculation remain inextricably interwoven. The work invites reflection on the role of artificial intelligence in shaping perception and our reality.